Work on Beings began in February 2014, hard on the heels of successful tours of Europe and North America. It proved to be a productive period. “The ideas came effortlessly and in abundance,” vocalist Hazel Wilde says of the writing process. “At first we had no expectations, no prescribed ideas of how we wanted the songs to turn out. We were just writing and playing together because that’s what we’d always done.”

This was made possible by their setup, working in splendid isolation; writing, rehearsing and recording in their Newcastle rehearsal room meant the results were undiluted by outside influence. Imaginatively produced and mixed by guitarist Paul Gregory, it’s also his experience that helped yield such compelling results. This allows Beings to move seamlessly from airy, chiming beauty to dense, forbidding soundscapes – sometimes in the same song – while still feeling like the product of a cohesive unit, retaining the band’s spark. “We wanted it to be more raw,” Wilde says of the record. “At its darkest points, we wanted it to feel like you’d dived into the deepest part our dreams and were taking a look around. At its lightest we wanted it to feel like you were coming up for air.”

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